Before I was known for National Geographic work or founding tech companies, I was photographing food in my mother's kitchen in Istanbul. Turkish cuisine — the colors of pomegranate, the texture of baklava, the steam rising from fresh bread — that was my first photography school.
Food photography sits at the intersection of still life, portraiture, and storytelling. You are not just photographing ingredients. You are selling an experience, a memory, a craving.
Ninety percent of food photography is lighting. And the best light is free.
Most food looks best at a 45-degree angle — the way you naturally see it when sitting at a table. It shows both the surface and the height of the dish.
Pizza, charcuterie boards, breakfast spreads — anything flat or arranged benefits from a straight-down perspective. I shoot overhead for social media and editorial work.
Burgers, layered cakes, tall drinks — anything with vertical drama needs an eye-level shot to showcase the layers and height.
My minimalist approach applies to food styling too. Fewer props, more focus on the star — the food itself.
Pro Tip: Shoot fast. Food has a window of 10-15 minutes where it looks its best. After that, greens wilt, ice cream melts, and sauces congeal. I set up my composition with a stand-in plate, then swap in the hero dish and shoot immediately.
I do not use motor oil instead of syrup. I do not spray deodorant on fruit to make it look fresh. These old advertising tricks produce photos that look artificial. My approach:
Growing up in Turkey gave me an appreciation for food as art. When I moved to America and started Biricik Media, restaurant photography became one of our most requested services. From upscale Miami steakhouses to artisan bakeries in New York, food photography bridges cultures and connects people through the universal language of a good meal.
Biricik Media delivers menu photography, brand imagery, and social content.
Contact CemhanWhy instinct beats technique every time
The magic of natural light
Full career and awards overview
I use natural side-light from a window, shoot at 45-degree and overhead angles, and style with real ingredients. No glycerin, no fake ice cream — authenticity makes food photography compelling.
A 50mm f/1.8 or 85mm f/1.4 are ideal. The shallow depth of field isolates the subject while the focal length avoids distortion that wider lenses create with close-up subjects.
Yes. Through Biricik Media, I have photographed menus and brand imagery for restaurants in Miami, New York, and Istanbul. Food photography is visual storytelling at its most visceral.